Every piece begins with research or the selection of a subject that resonates with me. Photographs-whether taken by myself or by other photographers-often serve as a starting point. At times, however, deeply personal experiences such as trauma, loss, or the death of a loved one shape the emotional direction and intention of a work.

I prefer working on firm surfaces such as wood panels and canvas board. At present, the size of my studio naturally limits the scale of my work, and most pieces range from 11″ x 14″ to 18″ x 24″

. In the future, hope to expand into larger-scale works that

allow for even greater physical presence and complexity.

My process usually begins with sketching the image before introducing color, helping me establish composition and structure.

I currently work within a limited palette of gold, silver, black, and whitecolors that connect naturally to the metal elements and vintage jewelry incorporated into my pieces. Chains often appear as linear elements, creating movement and guiding the viewer’s eye throughout the composition.

As I work, I explore contrasts between thick and thin forms, gold and silver surfaces, and layered textures. The process is slow and deliberate, with each piece of metal carefully placed onto the surface over time. I am also drawn to incorporating symbolic, ironic, and occasionally unexpected imagery within my portraits and figures, inviting viewers to uncover hidden meanings and personal narratives within the work.